The Troparion of Kassiani
By Photios Kontoglou
By Photios Kontoglou
The troparion of Kassiani is greatly beloved by our Orthodox people; even people who do not go to church go to hear it. Contributing to this is the inspiration with which it is written and the passion of the sinful woman who repents, as well as the story of Kassiani who composed it. But above all, in my opinion, what moved the people was its music, which is slow and majestic; for the teachers of our ecclesiastical music emphasized it with special love and care. However, one could say this about former times; now, I cannot understand what people hear in most churches where it is chanted — or rather sung — in some improvised way, with a supposedly European music, which is fashioned by people without Christian compunction and without any musical feeling, but with that dead and false conception of music, which they think is the music suited to our age.
First of all, chanting is one thing, and singing is another. Even this these “maestros” have not understood, who take as their ideal in everything the scale of Milan. In this we ought to be proud of our cultivated race. For, as happens in everything, we have surpassed the Europeans. Because for them secular music is different from religious music, whereas among us the music of the Church is becoming more worldly even than opera and even operetta. May we not be bewitched! These disgusting and insipid concoctions, which from time to time one or another fairy-struck fellow presents in church, have completely disfigured the modest and profound character of our Church, so much so that anyone who still has within him genuine Greek sensibilities falls into despair.








