By Panagiotis Drakopoulos
Along with Byzantine, Russian iconography is considered the greatest artistic expression of Orthodoxy.
In its first period, during the 11th and 12th centuries, it was directly influenced by Byzantine, and many of the iconographers were Greek. The most famous work of this period is the Mother of God of Vladimir, which is considered the protecting icon of Russia.
The Era
This was followed by the period of the "Tatar Yoke", when Russia, with Kiev as its capital at the time, was conquered by the Tatars of the so-called Golden Horde. The Tatars plundered and burned palaces, mansions, monasteries and churches. Portable icons, frescoes, embroideries, small artifacts, etc. were destroyed. A struggle for Russian freedom followed, a struggle that provoked new barbarian raids.
But the Tatars often found help from Russian princes who abhorred the restoration of a unified state. At that time, which Tarkovsky so correctly depicts in his film “Andrei Rublev”, art had declined, as had all of civilization. Be aware, however: what concerns Rublev himself in the film is fictional. Tarkovsky’s Rublev is not a biography, despite the title of the film.