Judas in Orthodox Hymnography
By Protopresbyter Fr. George Metallinos
The figure of Judas is a protagonist in the hymnography of Holy Week. His treacherous attitude is contrasted with the repentant attitude of the “sinful woman" and the confession of love from the thief. The passion of avarice is the main motive for his betrayal of his teacher. A "painful death" becomes the real reward of Judas.
1. Judas in the Hymns of Holy Week
The figure of Judas has occupied Art in all its forms. The same goes for Orthodox hymnography,1 which dissects the Gospel narrative around his person in a vivid and penetrating way. Hymnography constitutes the heart of Orthodox ecclesiastical worship,2 and was the most important poetic creation of Byzantium/Romania.3 In fact, the possibilities offered by poetic discourse make Hymnography the most suitable means for the continuous mystagogy of the ecclesiastical pleroma, with a discourse that is delightful, wrapped in the modest and attractive garment of the ecclesiastical melody.4 The pleroma, listening to or even participating in the chanting of the hymns, experiences and confesses the faith by "weaving from words a melody to the Word."5 Through the poetry of hymns, the worship of Orthodoxy becomes its enduring mouth. The hagiographic and patristic discourse thus becomes the daily song of God's people, who sing their faith and confess it.
The Holy Fathers and Mothers, who compose the hymns, offer through them the theology and theognosis of their hearts purified and illuminated by the Holy Spirit, dipping their pen in the stream of their faith and the tears of their repentance. A mention of the works attributed to Saint Dionysius the Areopagite is important. The poetry and music of Orthodox worship - we read - constitute an "echo" of the heavenly hymnody, which the holy hymnographer (and not just a "poet") hears with his spiritual ears and conveys with the created means available to him in earthly worship. The hymns of the Church are thus understood as a copy of the heavenly "archetype."6 It is not surprising, therefore, that the poetic creations of proven saints, who are also authentic theologians of the Church, enter Orthodox worship.7







